Happy October!
For artists, there’s often nothing spookier than rejection. Many of us would love a “yes” and fear that we’ll just keep getting “no.” Once you finish all the work — whether filling out a long application or wrapping up a project — it’s all about waiting.
There have been many times when I’ve been afraid to even open an email. Will it be a “yes” or a “no” in the body of the email?? It’s spooky!! (Do you see the Halloween theme I’m trying to create here? Sorry, I had to do it).
But over time, rejection got less scary. I guess I know what to expect now. Or maybe it’s that I’ve been able to distract myself more. I used to fixate a lot on certain submissions, applications, etc. That’s not to say I don’t obsess over certain things I’m waiting for, still. It’s just that with time, I learned to shift my focus to other projects. I learned to just go out and live my life, because that “yes” or “no” wasn’t going to show up while I was sitting at my desk, refreshing my email over and over.
In July, I took a poetry workshop with Muriel Leung, through Women Who Submit. I hadn’t taken a poetry workshop as an adult, ever! I worked on a poem that took inspiration from a photograph, and it was so cool to hear from poets who have been doing this for years. And even though I don’t write poems regularly, I did it — I had a new poem in my hands!
The very kind Alix Pham took a look at my draft in September, giving me really useful feedback and guidance. I decided to take a risk and send the poem out to some lit mags. Soon, I had quite a few submissions in my queue. All I could do was wait.
Fast forward to September, and I still couldn’t find a home for it. So far, it’s gotten five rejections — from May (before Alix took a look) to now.
A past version of myself might’ve thought: What do I have to show for writing this poem? Am I just not good enough? Did I spend too much time on it, when I could’ve been working on something else?
Current me, instead, likes to think: How cool that I wrote a poem again! How lucky am to get guidance from Muriel, Alix and a community of poets! What if the writing of it was the reward? What if that’s what brings it value, not whether or not it gets published?
I can’t say I take every rejection like this! And it’s taken years to talk back to my inner critic, and to stop myself from spiraling. But we keep going! What are your thoughts on a project’s “value” and rejection? Hit REPLY to let me know!
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👻 October Deadlines
🎨 Due 10/5: Los Angeles Contemporary Exhibitions 2023 Lightning Fund
✍🏼 Due 10/7: Witness Magazine Themed Issue: “Crush” (fiction/nonfiction/poetry)
🎨 Due 10/11: Jacki Apple Award in Performance and Artist Projects (LA-based artists)
✍🏼 Due 10/15: Little, Brown Spark New Voices Award (in partnership w/ Psychotherapy Networker)
💭 Due 10/16: 2024 Residency Program at the Dora Maar House
✍🏼 Due 10/16: NYU Latinx Project Job: Deputy Editor, Intervenxions
💭 Due 10/16: Getty Library Research Grants (multiple areas)
✍🏼 Due 10/16: Rooted & Written Writing Conference (for writers of color)
🎨 Due 10/25: Loewe Foundation Craft Prize
👩🏽🎓 Due 10/26: The Paul & Daisy Soros Fellowships for New Americans
✍🏼 Due 10/30: Call for the Indigenous Art Writing Award
🎨 Due 10/31: Moab Arts Reuse Residency
✍🏼 Due 10/31: Red Hen Press Benjamin Saltman Poetry Award
🍂 November Deadlines
🎥 Due 11/1: The NYC Women’s Fund for Media, Music and Theatre
💭 Due 11/1: Smithsonian American Art Museum Fellowship in American Art
🎨 Due 11/13: Lucid Art Residency Program 2024
✍🏼 Due 11/30: Red Hen Press Quill (Queer) Prose Award